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Dacha: Live at Roulette

by Sonya Belaya

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1.
2.
Current 09:02
3.
4.
5.
Weeping 09:45
6.
For Sasha 13:37

credits

released September 18, 2020

Sonya Belaya - piano, voice, compositions/arrangements
Stephen Boegehold - drums
Nick Dunston - bass
Ledah Finck - viola/violin
Dylan Greene - vibraphone
Christopher Hoffman - cello
Davy Lazar - trumpet
Kalia Vandever - trombone

Recorded Live at Roulette Intermedium by Teerapat Parnmongkol - Brooklyn, NY
January 28th, 2020
Mixed by Peter Leonard
Photo by Alex Brown
Design by Ben Rolston

All compositions by Sonya Belaya, except:

Track 4 - Молитва (The Prayer) by Bulat Okudzhava, Mother Savior - trad. Russian Orthodox processional, (Thy Resurrection Oh Christ Our Savior)

Track 6 - Excerpt of “Губы Окаянные” (Damned Lips) by Yuliy Kim

Special thank you to Roulette Intermedium, Jim Staley, Emily Bookwalter, Woramon Jamjod, Teerapat Parnmongkol, Stephen Boegehold, Nick Dunston, Ledah Finck, Dylan Greene, Christopher Hoffmann, Davy Lazar, Kalia Vandever, Alex Brown, Ben Rolston, Eryka Dellenbach, Nola Sporn Smith, K.J. Holmes, Carmen Hilbert, Amir ElSaffar, Bulat Okudzhava, and Yuliy Kim.

Thank you to Polyfold Musical Arts Collective, for offering support for me on their label.

Thank you to my maternal family: Masha and Sasha Belaya, Anastasia Mozzheckova, Anya Mozzechkova, and Liza Mozzechkova. To my grandmother, Natalia Mozzechkova, for giving me the Russian shawl seen on the cover of this album.

And eternally, in every place and realm, to my mother, Katerina Belaya. I miss you every day. Your spirit lives through every fiber, every sound. I write this music for you, to make sense of it all. We will finally give you a proper send-off soon. I love you.

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Sonya Belaya Brooklyn, New York

Sonya Belaya is a Russian-American musician who divides her time between Michigan and New York. Committed to multiplicity, she is a diverse music-maker invested in vulnerable art and the development of strong, personal collaborations. Her work centers on the integration of women’s trauma as musical narrative, with a focus on storytelling as a symbol of powerful vulnerability. ... more

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